Barbershop
Harmony
In simple terms, barbershop harmony is vocal
harmony produced by four parts: lead, tenor, baritone and bass.
Finding the right part for your voice is the initial step. Any
woman of average singing ability, with or without vocal training,
will find a part that fits her range.
Lead is the
melody and is sung in the range between A below middle C, and
C above middle C.
Tenor is a harmony
part sung consistently above the lead. Although tenor is the
highest voice in barbershop harmony, it should not be confused
with soprano of conventional singing groups. The tenor should
have a light, sweet, pure tone that will compliment but not overpower
the lead voice.
Baritone covers
approximately the same range as lead. The baritone harmony notes
cross the lead notes; sometimes sung below and sometimes above.
Baritones must constantly adjust their balance to accommodate
their position in the chord.
Bass singers
should have a rich, mellow voice and be able to sing the E flat
below middle C easily. Basses should not be confused with the
alto of conventional groups. Many altos can sing the bass part,
but others are much better suited to lead or baritone, depending
on range and vocal quality.
Barbershop
Criteria
It has
four parts - no more, no less.
It has melodies that are easily remembered.
Barbershop harmonic structure is characterized
by:
- a strong bass line
- melody in an internal part
- complete chords without any non-chord tones
- mostly major triads, dominant 7th chords
and dominant 9th chords with other chords used in passing as
demanded by the implied harmony
- traditional harmonic movement and resolutions
It has rhythmic interest as an important and
vital part of an uptune.
It has clear, recognizable form.
It has lyrics that are clear and understandable.
It is challenging to perform because:
- it requires great vocal skill and is usually
sung by amateur singers
- all chords must be heard with clarity requiring
singers to sing precise intervals
Properly tuned barbershop chords are congruent
with the physics of sound.
Energy
and physical involvement are required from the singer in a degree
of intensity not usually found in other choral forms.
The artistic potential is unlimited since
we are not bound by the printed page.
It is emotionally satisfying to both the listener
and the performer.
You can't do it alone.
Barbershop
Definitions
Lock and Ring: The
ultimate barbershop sound. To achieve it requires excellence
in all phases of singing -- a good musical arrangement, good
vocal technique, well balanced and blended voices and accuracy
of intonation. In combination, these qualities can create an
audible overtone that sends a chill up the spine of singers and
listeners alike.
Mass Sing: A
Sweet Adelines tradition. This is a public event integrated into
the business of a convention. Everyone in attendance is invited
to gather in a public place and present listeners with a sample
of barbershop harmony. It is often used as a way to thank the
city hosting the gathering.
Pitch Pipe: A
chromatic scaled instrument which is blown to establish a pitch
or key tone. The one most generally used by a cappella singers
is small and round, containing 13 pitches.
A cappella: Choral
music without instrumental accompaniment. Cappella (Italian)
chapel; a cappella in the manner of the chapel.
Woodshedding: An
impromptu gathering of singers who improvise the harmony of a
song by ear. This is the very heart of barbershop singing and
is the essence of barbershop's heritage.
Tag: The final
portion of a barbershop arrangement, usually containing very
interesting chord progressions that are fun to sing. Tags may
be sung separately from the song and are often used both by quartets
and choruses for the purpose of practicing to achieve complete
chord excellence. Many barbershoppers may not remember entire
songs, but many will memorize hundreds of tags.
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Vista Hills Chorus is a chapter of Sweet
Adelines International, a worldwide organization of women singers
committed to advancing the musical art form of barbershop harmony
through education and performances.
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