and The Innsiders. The Bay City chapter sang in the
auditorium lobby during intermission and strolled through the patrons looking
for candidates. On July 15, 1985, after growing large enough to begin the
chartering process, Southwestern District Executive VP John Schneider presented
the Bay City chapter with its license. The licensing party featured Tidelander
quartets and the "Toast of the Coast" chorus from Victoria. Unfortunately,
this was also Lowell McCulley's going away party. He had accepted a position
in Houston and transferred to the Houston chapter where he remains a member
in good standing today.
When Lowell left, Joe Eddy took over as "interim" director of the chorus
with Robert Littiefield assisting. The chorus officers sponsored a contest
to name the chorus, and when the votes were tallied Bob Litilefleld's submission:
'The Coastalaires" had won. Bob's prize was an all expense paid SPEBSQSA
membership card for 1986. With a new license, a new director, and a new
name the Bay City chapter was off and running after their charter. Of course,
there would never have been a chapter without the dedicated efforts of
men like Lowell McCulley, Joe Eddy, Ed Ottis, Bob Littlefield, Dr. Brian
Simons, and Steve Gasaway, who were willing to spend time beating the bushes
looking for new members.
For the next six months the men worked hard to meet the membership
requirements and finally, on February 22, 1986, the Coastalaires presented |
their charter show: "A Barbershop Show of Shows. Featured
choruses included: "The Coastalaires under the direction of Joe Eddy and
Robert Littiefleld, the Victoria "Toast of the Coast" under the direction
of Barry Smith, the San Antonio "Chordsmen" under the direction of Mac
Huff, and last, but certainly not least, the Houston "Tidelands" under
the direction of John Devine.
For the next four years the Coastalaires produced new shows
to a somewhat 'underwhelming' community response. Chorus members
William "Bill" Shine, Steve Gasaway, Taylor Steves, and Joe Eddy worked
hard to write and create interesting new skits and Improve the chorus presentation.
However, only a few Bay Cityians would support the chorus' efforts. Even
while featuring quartets like the Innsiders and the Pride of the Marsh,
the guys had a tough time getting "up" for an audience of 250 in an auditorium
that would hold 2500 people.
Then Steve Gasaway and Joe Eddy arrived at the answer. Steve Gasaway
credits the Windmill Dinner Theater for his inspiration, and Joe Eddy was
impressed by a production of the Wharton Co. Junior College Madrigals using
the same format. Steve and Joe got together and brainstormed and the rest
as they say is history. The Coastalaires started producing dinner shows
at the Bay City Whispering Oaks Country Club and performing to sold out
crowds. The format is so popular that the |