Golden Memories  SWD International Quartet Champions
Dealers Choice

and learning from such legends as Harlan Wilson, Billy Ball, Bert Staffen, Jack Hines, Mac Huff and Don Clause, they were a new" quartet. They also returned with 54 hours of audio tape of their sessions to help them retain the techniques taught. The young VM also learned this information as the DC were section leaders and passed along the information gained.
The Dealer's Choice was excited and anxious to try out their new sound for the judges at the 1972 Lubbock Region 5 prelims. They won by a huge 150 point margin and felt confident that this was the start of something big.
In their professional lives Al was a teacher at SMU, Bill had his own advertising/sales promotion agency, Brian was a professional jingle singer and musician, and Gary worked as an actuary-trainee for Southwestern Life Insurance Company.
With coaching from Ray Anthony and Nancy Bergman, the DC competed in the district contest in October of '72. It was a two-horse race from the start between them and the up-and-coming Innsiders. The DC surprised even their closest friends with a special touch of original stage presence. While starting their last song, You Can Have Every Light On Broadway, they loosened their ties, Bill removed his coat and in a "Sinatra-like-move" hung it over his shoulder in a rare casual stance. That might have made the difference. The Dealer's Choice won by only 8 points in that nail-bitingly close San Antonio contest.
The battle to be one of the two Southwestern District quartets going to Portland was fought in Port Arthur in March of 1973. The DC won the contest and worked with 
 

Don Clause and Mac Huff, two of their favorites from Harmony College. Clause traveled to Dallas several times and spent many long weekends working with the quartet as they developed their smooth blend and artful interpretation. Clause also reinforced a positive mental attitude and the idea that they COULD win the gold medals on their first time out.
Ninety days before the contest they rehearsed EVERYDAY, sometime as long as four hours. By the time the Portland contest came around they were ready. After the first round they led by 19 points. It was during that set they "wowed" the audience with who'll Take My Place with the now famous bell chord tag. From that point on the audience began talking about this unknown foursome getting into the top ten. After the second set, and the Sinatra Move" they led by 61 points and many started thinking they might medal.
Their last set during the final top ten was just as impressive with two uptunes, How's Every  Little Thing in Dixie and a Beck original Songs Like Daddy Used To Play. Few could have really predicted the outcome. Winning on the first time out was next to impossible in these modern times. In reality, the Pacificaires and the Regents did better in the finals, but the DC had already amassed such a lead, they won by 104 points. The announcement of the Dealer's Choice winning the championship was quite a thrill and a shock (notice the deer-in-headlights gaze by the quartet in the official convention photos).
Unlike other winning quartets following the convention, the DC didn't do a lot of shows. They were virtually unknown and it took a few years for their popularity to grow. By 1975 they were doing about 30 shows a year out of town. A few show highlights include a one in December of 1973 in Boston with the Boston Common who were, reportedly, crazy.


 
 

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