the society began teaching it. The Confederates
also helped them with this skill, being masters of it themselves. Many
ever-glows were spent with the Lads and other quartetters working the finer
points of expanded sound in hotel rooms till dawn.
In their very first contest they attempted to qualif~ for the 1955
International by having to drive 1500 miles round-trip from Albuquerque
to the San Antonio prelims. They drove all night through heavy storms to
arrive and check in about 1:30 in the morning before the contest. The Regional
contests were not kind to the Lads and it was indeed tough competition
at the Southwestern District prelims. They did well but were named as alternates
behind the Deseriaires (who placed 7th at International that summer) and
the Four Hearsemen (who won the 1955 International). It was a long drive
home.
They must have been doing something right because they won the district
championship on November 5th, 1955 on the stage of El Paso's historic Liberty
Hall in only their second contest. They won despite a partially collapsed
lung suffered by tenor Don Pitts the morning of the contest. It was appropriate
that they sang whoop-Tee-Do as their acceptance song.
Still fighting that regional contest jinx, The Lads |
qualified but came in second to the Desertaires.
That summer (1956) they leaped over them and placed 3rd (in their very
first International) while the Desertaires placed 9th. The next year the
Gaynotes beat them in the Prelims but the Lads qualified by placing second.
That summer of '57 in Los Angeles Danny Aycock remembered the three
days of competition as pure work mixed with some confusion and chaos. Their
hotel reservation got messed up and the Lads' entourage of family and friends
ended up having to stay at a litfie, off-the-beaten path hotel called the
Gates (also referred to as a "dump"). Aside from being scattered on separate
floors and a bell boy who couldn't comprehend the idea of "clean shirts",
the Lads braved it all and focused on the job at hand.
The Lads were innovative in their song selection and introduced several
new songs to the society. In the quarter-finals they sang two unique numbers:
Ro-Ro-Rollin' Along, borrowed from the Sweet Adelines Big Four quartet
and rearranged by Floyd Connett, and Hal Staab's arrangement o~ere's a
Rose on Your Cheek.
In the semi-finals they sang My Indiana Home, and Love Me and The World
Is Mine which became a hit and was repeated by many of those who were in |