Afterglow

	A Capella Terminology
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	Afterglow.............................	Cast party after a show or performance
	All-in-One...........................	Undergarment worn under costumes
	Block Move.........................	Everyone doing the same move the same direction at the same time
	Break a Leg!.......................	Said to wish someone well in performance
	Chest Voice (Register)......	Lower range of voice
	Chorus Position...................	Feet are placed with toes of the OS foot pointed toward the audience, the IS foot is angled slightly to your comfort. Body carriage is tall and erect and the face is "on" with eyes on the director
	Cluster Chord.....................	When more than four parts are being sung (someone singing a wrong note)
	Cone.....................................	Balance of barbershop sound
	Coning.................................	The art of adjusting to maintain the proper balance of a barbershop chord
	Contagion..........................	("Ripple or add-on") a move is begun at one end of the chorus and passed along down the rows. Similar to the "wave" you see at sporting events
	Coronet Club......................	Association of all past International Champion Quartets
	Diphthong...........................	Two vowel sounds sung on one note, with greatest stress on first vowel (A =Ay-ee, O = Oh-oo, I = Ah-ee)
	Double.................................	Two parts on the same note, usually an octave apart (bass on low F, lead on F above middle C.)
	Downstage..........................	Toward the front of the stage (closest to the audience)
	Down the Tiles.....................	Head and body angle are turned out to the audience as if there were tiles on the floor going out straight from the risers to the audience
	Dynamic Contrast.............	Planned volume changes to enhance performance of song
	Embellishment...................	Swipe or other musical addition to song for added interest
	Fanny Rails..........................	Rails attached to top riser row
	Forward Motion.................	Sense of lyrical flow, with vocal line moving toward something in anticipation, especially in ballads
	Frame..................................	Persons performing in the back row, front row, and on the outside ends of each row on the risers
	Glottal..................................	A grunt like sound - If you don't sing with air through an open throat before you produce sound, the sound stumbles over a closed throat and produces
	Hang Ten (on the risers)...	Standing forward to the front edge of the riser
	Hard Palate........................	Firm part of the roof of the mouth
	Head Voice (Register).....	Upper range of voice
	Inside........................................	Moving toward the center of the chorus; using the arm, or stepping on the foot closest to the center of the chorus
	Inside Smile........................	Lifting of the soft palate
	Interval.................................	The distance between two notes
	Intro.......................................	First part of a song
	Jazz Hand...........................	Choreo move, palm to the audience, fingers fully extended, (like you’re motioning to stop)
	Key........................................	Letter name of the scale in which a song is written. This note is blown on the pitch pipe (tonic)
	Lag Hand............................	Hand that is not predominant in a choreo move
	Mask.....................................	Facial muscles under the eyes into the temples, around the nose, in the lip, and from the temples down to the chin
	Off the Paper......................	Being able to sing your part without referring to the music
	Outside................................	Moving toward the outside edge of the riser, using the arm or stepping on the foot closest to the outside edge of the riser
	Overtone.............................	Unsung tone heard above the highest tone of a properly balanced and matched chord
	Patter....................................	Harmony parts singing different words while lead sings melody
	Personal Space.................	Everyone has approximately 4” of personal space forming a box around them. Most of your choreo moves should be within your own personal space
	Physical Warm-ups..........	Warming up of body to provide a suitable environment for the singing mechanism to operate
	Pickups................................	Beginnings of phrases sung by only one voice
	Pitch Pipe............................	Cookie-shaped musical instrument used to help singers begin in the same pitch; electronic pitch pipes also are used. Also, The Pitch Pipe is the name of the magazine published by Sweet Adelines International
	Progression..........................	A sequence of chords
	Quartet Etiquette................	Displaying courtesy by not singing along with a foursome
	Queens of Harmony.........	International champion quartet
	Reset.....................................	To change your body position slightly, to re-energize. Pick up a foot and reposition it, to change the position of the weight
	Ringing Chord...................	When a barbershop chord is balanced, overtones are produced and an exciting “ringing” sound results
	Ripple...................................	Choreographed move that starts at one side of the chorus and travels to the other side (the same principle as a wave)
	Slice Hand..........................	Hand is in profile to the audience so that only the little finger is visible, fingers locked tightly together
	Soft Palate...........................	Soft, squishy part behind hard palate
	Split Move...........................	Split the chorus down the center, and each side does the move in the opposite direction
	Spike....................................	Singing with a more forward/pointed sound - positioning the sound to the front of the mask
	Spokes.................................	Achieved when the people in the second and fourth rows step to the right and end up standing directly behind someone
	Stage Left.............................	The performer’s left, when on stage facing the audience
	Stage Right..........................	The performer’s right, when on stage facing the audience
	Stagger Breathing.............	In chorus singing, taking a quick breath in other than a planned breathing place, usually within a word or by omitting a word
	Swipe....................................	Two or more chords used to embellish a melody note, sung on one word or syllable
	Tag........................................	Last part of a song
	Take if from the 'Edge'.....	Start at the beginning of the music, or “take it from the top”
	Three Point Landing.........	On foot with heel and ball of foot touching floor, other foot with just ball of foot touching – keeps your knees unlocked and relaxed
	Tidley....................................	Tiny swipe done by one part
	Traffic Pattern......................	Designated and carefully timed path followed by choruses and quartets on competition day
	Tuning..................................	Refers to the ability to sing both “in key” and “on pitch”
	Upstage...............................	Toward the back of the stage (farthest away from the audience)
	Unison...................................	Two or more voice parts singing the same note
	Velvet...................................	Singing like velvet (with more air in your sound)
	Vocal Warm-ups...............	Getting the voice ready to sing
	Windows..............................	The space between the two people in front of you is your "window". Try to remain centered between those two people
	Woodshedding..................	The art of singing barbershop “by ear,” without a written musical arrangement
	Regional and International Acronyms
	CC.........................................	Convention Coordinator
	ChC.......................................	Chapter Coordinator
	CRC.......................................	Chair of the Regional Convention
	CTC.......................................	Communications/Technology Coordinator
	DC.........................................	Directors' Coordinator
	EC..........................................	Education Coordinator
	EDC.......................................	Education Direction Committee
	EVC.......................................	Events Coordinator
	IES..........................................	International Education Symposium
	FC..........................................	Finance Coordinator
	IMAP.....................................	International Music Arrangers Program
	MMC.....................................	Marketing/Membership Coordinator
	PIPs........................................	Past International Presidents
	RMT........................................	Regional Management Team
	SAI.........................................	Sweet Adelines International
	TC..........................................	Team Coordinator
	YSF........................................	Young Singers Foundation
	YWIH.....................................	Young Women in Harmony
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